Monday, August 3, 2009

Blu-ray Disc 02

Blu-ray Disc (also known as Blu-ray or BD) is an optical disc storage medium designed to supersede the standard DVD format. Its main uses are for storing PlayStation 3 games, high-definition video, and data storage, with up to 25 GB per single layered, and 50 GB per dual layered disc. The disc has the same physical dimensions as standard DVDs and CDs.

The name Blu-ray Disc derives from the blue-violet laser used to read the disc. While a standard DVD uses a 650 nanometre red laser, Blu-ray uses a shorter wavelength, a 405 nm blue-violet laser, and allows for almost six times more data storage than on a DVD.

During the format war over high-definition optical discs, Blu-ray competed with the HD DVD format. Toshiba, the main company supporting HD DVD, ceded in February 2008, and the format war ended,[2] then in July 2009, announced plans to put out its own Blu-ray Disc device by the end of 2009.

Blu-ray Disc was developed by the Blu-ray Disc Association, a group representing makers of consumer electronics, computer hardware, and motion pictures. As of June 2009, more than 1000 Blu-ray disc titles are available in Australia, 2500 in Japan, 1500 in the United Kingdom, and 2500 in the United States and Canada.

History



Commercial HDTV sets began to appear in the consumer market around 1998, but there was no commonly accepted, inexpensive way to record or play HD content. In fact, there was no medium with the storage required to accommodate HD codecs, except for JVC's Digital VHS and Sony's HDCAM. Nevertheless, it was well-known that using lasers with shorter wavelengths would enable optical storage with higher density. Shuji Nakamura invented the practical blue laser diode; it was a sensation, although a lengthy patent lawsuit delayed commercial introduction.

Origins


Sony started two projects applying the new diodes: UDO (Ultra Density Optical), and DVR Blue (together with Pioneer), a format of rewritable discs that would eventually become Blu-ray Disc (more specifically, BD-RE). The core technologies of the formats are essentially similar.

The first DVR Blue prototypes were unveiled at the CEATEC exhibition in October 2000. On February 19, 2002, the project was officially announced as Blu-ray, and Blu-ray Disc Founders was founded by the nine initial members.

The first consumer device was in stores on April 10, 2003. This device was the Sony BDZ-S77, a BD-RE recorder that was made available only in Japan. The recommended price was US$3800; however, there was no standard for prerecorded video, and no movies were released for this player. The Blu-ray Disc standard was still years away, as a newer, more secure DRM system was needed before Hollywood studios would accept it—not wanting to repeat the failure of the Content Scramble System used on standard DVDs. On October 4, 2004, the Blu-ray Disc Founders was officially changed to the Blu-ray Disc Association (BDA), and 20th Century Fox joined the BDA's Board of Directors.

Blu-ray Disc format finalized

The Blu-ray Disc physical specifications were completed in 2004. In January 2005, TDK announced that they had developed a hard coating polymer for Blu-ray Discs. The cartridges, no longer necessary, were scrapped. The BD-ROM specifications were finalized in early 2006. AACS LA, a consortium founded in 2004, had been developing the DRM platform that could be used to securely distribute movies to consumers. However, the final AACS standard was delayed, and then delayed again when an important member of the Blu-ray Disc group voiced concerns. At the request of the initial hardware manufacturers, including Toshiba, Pioneer, and Samsung, an interim standard was published that did not include some features, such as managed copy.

Launch and sales developments

The first BD-ROM players were shipped in mid-June 2006, though HD DVD players beat them in the race to the market by a few months.

The first Blu-ray Disc titles were released on June 20, 2006. The earliest releases used MPEG-2 video compression, the same method used on standard DVDs. The first releases using the newer VC-1 and AVC codecs were introduced in September 2006. The first movies using (50 GB) dual-layer discs were introduced in October 2006. The first audio-only release was made in March 2008.

The first mass-market Blu-ray Disc rewritable drive for the PC was the BWU-100A, released by Sony on July 18, 2006. It recorded both single- and dual-layer BD-R as well as BD-RE discs and had a suggested retail price of US $699.

Competition from HD DVD

The DVD Forum, chaired by Toshiba, was deeply split over whether to develop the more expensive blue laser technology or not. In March 2002, the forum voted to approve a proposal endorsed by Warner Bros. and other motion picture studios that involved compressing HD content onto dual-layer standard DVD-9 discs.[27][28] In spite of this decision, however, the DVD Forum's Steering Committee announced in April that it was pursuing its own blue-laser high-definition solution. In August, Toshiba and NEC announced their competing standard, Advanced Optical Disc. It was finally adopted by the DVD Forum and renamed HD DVD the next year, after being voted down twice by DVD Forum members who were also Blu-ray Disc Association members—prompting the U.S. Department of Justice to make preliminary investigations into the situation.

HD DVD had a head start in the high definition video market, as Blu-ray Disc sales were slow to gain market share. The first Blu-ray Disc player was perceived as expensive and "buggy", and there were few titles available. This changed when the PlayStation 3 was launched, since every PS3 unit also functioned as a Blu-ray Disc player. At CES 2007, Warner proposed Total Hi Def—a hybrid disc containing Blu-ray on one side and HD DVD on the other—but it was never released. By January 2007, Blu-ray discs had outsold HD DVDs, and during the first three quarters of 2007, BD outsold HD DVDs by about two to one. In a June 28, 2007 press release, Twentieth Century Fox cited Blu-ray Disc's adoption of the BD+ anticopying system as a key factor in their decision to support the Blu-ray Disc format. In February 2008, Toshiba withdrew its support for the HD DVD format, leaving Blu-ray as the victor.

Some analysts believe that Sony's PlayStation 3 video game console played an important role in the format war, believing that it acted as a catalyst for Blu-ray Disc, as the PlayStation 3 used a Blu-ray Disc drive as its primary information storage medium. They also credited Sony's more thorough and influential marketing campaign.

End of the format war and future prospects

On January 4, 2008, a day before CES 2008, Warner Bros. (the only major studio still releasing movies in both HD DVD and Blu-ray Disc format) announced that it would release only in Blu-ray Disc after May 2008. This effectively included other studios that came under the Warner umbrella, such as New Line Cinema and HBO—though in Europe, HBO distribution partner the BBC announced it would, while keeping an eye on market forces, continue to release product on both formats. This led to a chain reaction in the industry, with major U.S. retailers such as Best Buy, Wal-Mart, and Circuit City and Canadian chains such as Future Shop dropping HD DVD in their stores. A former major European retailer, Woolworths, dropped HD DVD from its inventory. Netflix and Blockbuster—major DVD rental companies—said they would no longer carry HD DVDs. Following these new developments, on February 19, 2008, Toshiba announced it would end production of HD DVD devices, allowing Blu-ray Disc to become the industry standard for high-density optical disks. Universal Studios, the sole major movie studio to back HD DVD since its inception, said shortly after Toshiba's announcement, "While Universal values the close partnership we have shared with Toshiba, it is time to turn our focus to releasing new and catalog titles on Blu-ray Disc." Paramount Studios, which started releasing movies only in HD DVD format during late 2007, also said it would start releasing in Blu-ray Disc. Both studios announced initial Blu-ray lineups in May 2008. With this, all major Hollywood studios now support Blu-ray.

According to Adams Media Research, high-definition software sales were slower in the first two years than standard DVD software sales. 16.3 million standard DVD software units were sold in the first two years (1997–98) compared to 8.3 million high-definition software units (2006–07). One reason given for this difference was the smaller marketplace (26.5 million HDTVs in 2007 compared to 100 million SDTVs in 1998).[43][44] Former HD DVD supporter Microsoft has stated that they are not planning to make a Blu-ray Disc drive for the Xbox 360.

Blu-ray Disc began making serious strides as soon as the format war ended. Nielsen VideoScan sales numbers showed that with some titles, such as 20th Century Fox's Hitman, up to 14% of total disc sales were from Blu-ray, although the average for the first half of the year was around 5%. Shortly after the format war ended, a study by The NPD Group found that awareness of Blu-ray Disc had reached 60% of U.S. households. In December 2008, the Blu-ray Disc of The Dark Knight sold 600,000 copies on the first day of its launch in the United States, Canada, and the United Kingdom. A week after launch, The Dark Knight BD had sold over 1.7 million copies worldwide, making it the first Blu-ray Disc title to sell over a million copies in the first week of release.

According to Singulus Technologies AG, Blu-ray is being adopted faster than the DVD format was at a similar period in its development. This conclusion was based on the fact that Singulus Technologies has received orders for 21 Blu-ray dual-layer machines during the first quarter of 2008, while 17 DVD machines of this type were made in the same period in 1997. According to GfK Retail and Technology, in the first week of November 2008, sales of Blu-ray recorders surpassed DVD recorders in Japan. According to the Digital Entertainment Group, the total number of Blu-ray Disc playback devices (both set-top box and game console) had reached 9.6 million by the end of 2008. According to Swicker & Associates, Blu-ray Disc software sales in the United States and Canada were 1.2 million in 2006, 19.2 million in 2007, and 82.4 million in 2008.

Blu-ray Disc 01

Reverse side of a Blu-ray Disc
Media type High-density optical disc
Encoding MPEG-2, H.264/MPEG-4 AVC, and VC-1
Capacity 25 GB (single-layer)
50 GB (dual-layer)
Block size 64kb ECC
Read mechanism 405 nm laser:
1× at 36 Mbit/s (4.5 MByte/s)
2× at 72 Mbit/s (9 MByte/s)
4× at 144 Mbit/s (18 MByte/s)
6× at 216 Mbit/s (27 MByte/s)
8× at 288 Mbit/s (36 MByte/s)
12× at 432 Mbit/s (54 MByte/s)
Usage Data storage
High-definition video
High-definition audio
PlayStation 3 games

Ayngaran International

Ayngaran International Ayngaran International is an overseas film distributing and producing company of Tamil language films. The company distributes Tamil films to countries other than India. They also change the Indian regional DVDs into North American and European format. Since the company started, they distributed audio in audio cassettes and CDs, and videos in VHS. In 2001 they began to distribute DVDs and later ceased VHS distribution. They provide subtitles in English and a variety of other languages on each DVD film. In 2006, French and German languages were added to subtitle selections to a few films.

As producers

Year Film Director Cast Notes
2008 Aegan Raju Sundaram Ajith Kumar, Nayantara
2009 Villu Prabhu Deva Vijay, Nayantara
Sarvam Vishnuvardhan Arya, Trisha Krishnan
Nandalala Myshkin Myshkin, Snigdha Akolkar Filming
Angaadi Theru Vasanthabalan Mahesh, Anjali Filming
Peranmai S. P. Jananathan Jayam Ravi, Roland Kickinger Filming
Arjunan Kadhali Parthi Bhaskar Jai, Poorna Filming
Manavar Dhinam Kadhir Srikanth Filming
Kalavadiya Pozhudugal Thangar Bachan Prabhu Deva, Bhumika Chawla Filming


Type Film production
Film distribution
Founded 1987
Headquarters Flag of the United Kingdom London, United Kingdom
Key people K. Karunamoorthy
C. Arunpandiyan
Industry Entertainment, Software
Products Motion pictures (Tamil)
Website www.ayngaran.com

Aishwarya Rai, Rajini - Endhiran The Robot - Vellore Shooting

Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai
Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai
Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai
Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai

Aishwarya Rai, Rajini - Endhiran The Robot - Vellore Shooting

Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai
Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai
Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai
Endhiran The Robot - Vellore Shooting Stills Leaked - Rajini, Aishwarya Rai

DTS (sound system)

DTS (also known as Digital Theater System[s]), owned by DTS, Inc. (NASDAQ: DTSI), is a multichannel digital surround sound format used for both commercial/theatrical and consumer grade applications. It is used for in-movie sound both on film and on DVD, and on CD. During the last few years of the Laserdisc format's existence, several releases had DTS soundtracks

History


One of the company's initial investors was film director Steven Spielberg, who felt that theatrical sound formats up until the company's founding were no longer state of the art, and as a result were no longer optimal for use on projects where quality sound reproduction was of the utmost importance. Work on the format started in 1991, four years after Dolby Labs started work on its new codec, Dolby Digital. The basic and most common version of the format is a 5.1-channel system, similar to a Dolby Digital setup, which encodes the audio as five primary (full-range) channels plus a special LFE (low-frequency effect) channel for the subwoofer.

Note, however, that encoders and decoders support numerous channel combinations, and stereo, four-channel, and four-channel+LFE soundtracks have been released commercially on DVD, CD, and Laserdisc.

Other, newer DTS variants are also currently available, including versions that support up to seven primary audio channels plus one LFE channel (DTS-ES). DTS' main competitors in multichannel theatrical audio are Dolby Digital and SDDS, although only Dolby Digital and DTS are used on DVDs and implemented in home theater hardware. Spielberg debuted the format with his 1993 production of Jurassic Park, which came slightly less than a full year after the official theatrical debut of Dolby Digital (Batman Returns). In addition, Jurassic Park also became the first home video release to contain DTS sound when it was released on LaserDisc in January 1997, two years after the first Dolby Digital home video release (Clear and Present Danger on Laserdisc), which debuted in January 1995.

A photo of a print featuring all four audio-related formats (or "quad track")-left to right, SDDS (blue area to the left of the holes), Dolby Digital (grey area between the sprocket holes), analog sound (the two white lines to the right of the Dolby Digital track), and the DTS timecode (the dashed line to the right of the analog track).

In theatrical use, information in the form of a modified time code is optically imaged onto the film. An optical LED reader reads the timecode data from the film and sends it to the DTS processor, which uses this time code to synchronize the projected image with the soundtrack audio. The actual audio is recorded in compressed form on standard CD-ROM media at a bitrate of 1,103 kbit/s. The processor also acts as a transport mechanism, as it holds and reads the audio discs. Newer units can generally hold three discs, allowing a single processor/transport to handle two-disc film soundtracks along with a third disc containing sound for theatrical trailers. In addition, specific elements of the imprinted timecode allow identifying data to be embedded within the code, ensuring that a certain film's soundtrack will only run with that film.

DTS and Dolby Digital (AC-3), DTS' chief competitor in the cinema and home theater market, are often compared due to their similarity in product goals. In theatrical installations, AC-3 audio is placed between sprocket holes, leaving the audio content susceptible to physical damage due to film wear and mishandling. DTS audio is stored on a separate set of CD-ROM media, whose greater storage capacity affords the potential to deliver better audio fidelity. However, the separation of print film and audio track is both a blessing and a curse. AC-3 (and SDDS) reside entirely on the 35 mm film itself, simplifying distribution by eliminating an extra (optional) deliverable. But DTS' CD-ROM media is not subject to the usual wear and damage suffered by the film print during the normal course of the movie's theatrical screening. Disregarding the separate CD-ROM assembly as a potential point of failure, the DTS audiopath is comparatively impervious to film degradation, unless the film-printed timecode is completely destroyed.

In the consumer (home theater) market, AC-3 and DTS are close in terms of audio performance. When the DTS audio track is encoded at its highest legal bitrate (1,536 kbit/s), technical experts rank DTS as perceptually transparent for most audio program material (i.e., indistinguishable to the uncoded source in a double blind test). Dolby claims its competing AC-3 codec achieves similar transparency at its highest coded bitrate (640 kbit/s). However, in program material available to home consumers (DVD, broadcast, and subscription digital TV), neither AC-3 nor DTS run at their highest allowed bitrate. DVD and broadcast (ATSC) HDTV cap AC-3 bitrate at 448 kbit/s. But even at that rate, consumer audio gear already enjoys better audio performance than theatrical (35 mm movie) installations, which are limited to even lower bitrates. When DTS audio was introduced to the DVD specification, studios authored DVD movies at DTS' full bitrate (1,536 kbit/s). Later, movie titles were almost always encoded at a reduced bitrate of 768 kbit/s, ostensibly to increase the number of audio tracks on the movie disc. At this reduced rate (768 kbit/s), DTS no longer retains audio transparency.

AC-3 and DTS are sometimes judged by their encoded bitrates. DTS proponents claim that the extra bits give higher fidelity and more dynamic range, providing a richer and more lifelike sound. But no conclusion can be drawn from their respective bitrates, as each codec relies on different coding tools and syntax to compress audio.

Solar-powered mobile from Samsung

Special Correspondent

— PHOTO: AFP

Back-up power: Samsung President and CEO J. S. Shin (left) and Union Minister for New and Renewable Energy Farooq Abdullah launch the first solar powered Samsung mobile phone in Noida on Wednesday.

NEW DELHI: In a major technological advancement, Samsung India on Wednesday launched world’s first solar-powered mobile phone, Solar Guru (Guru E1107), that allows users to charge the battery using solar energy, once the phone battery runs out of normal electric charge. Priced at Rs. 2,799, the handset, which was launched by Union Minister for New and Renewable Energy Farooq Abdullah, has the capacity to provide around 5-10 minutes of talk-time with one hour of solar charging, apart from the normal electric charging. Its other features include FM radio, MP3 ring tones, embedded games and torchlight. Made out of recycled material, the new handset is free from harmful substances such as beryllium and phthalates.

Global markets

According to Samsung’s South West Asia Headquarters President and CEO J. S. Shin, “Solar Guru has been developed keeping in mind the needs of Indian consumers, especially customers residing in areas facing power crunch so that they can rely on solar charging to remain connected”.

Solar Guru was being introduced in various global markets, he added.

Samsung Country Head (Mobile Division) Sunil Dutt said: “Initially, the handsets will be imported from Korea and will be available in the Indian market within a week. In the next few months, we would start manufacturing the handsets at our Noida facility”.